Art and Archaeology of Antiquity Volume IV

Book Description

Vol. IV

Contents:

• Preface
• Perceptions of the Trojan Wars in the Fenway: the Creeping Odysseus
• From the Pelopennesus to Pergamon and Beyond: The Weary Herakles of Lysippos
• Nero, Otho and the Golden House
• Roman Ostia. Sarcophagus
• Figural Pillars: From Asia Minor to Corinth to Rome
• Graeco-Roman Asia Minor to Renaissance Italy
• Greek Sculpture in Miniature from Roman Patrons
• Medallic and Marble Memorials: Mint to Mausoleum in Victorian America
• The End of Ancient Art in Egypt: Connections with the Holy Land
• The God Apollo, A Ceremonial Table with Griffins, and a Votive Basin
• Archaic Art, General Outline and Considerations, Historical , Geographic, and Aesthetic
• The Theodore Roosevelt Era: The Gold Coins and Major Sculptures of Augustus Saint-Gaudens
• Athena of the Parthenon by Pheidias: A Graeco-Roman Replica of the Roman Imperial Period
• Small Statues in the Greek World
• The Crusader (Lusignan) Kingdom of Cyprus: Echoes in the Fenway
• Roman Portraits in Egyptian Colored Stones
• Hermes, Protector of Shepherds at Salamis and Kourion
• From Tarentum to Troy and on to Tunisia: Homeric Survivals in the Hellenistic and Roman Worlds
• Protesilaos: First to Fall at Troy and Hero in Northern Greece and Beyond
• The Rise of the Severan
• Dynasty in the East: Young Caracalla, about the Year 205, as Helios-Sol
• Matidia the Elder, a Pivotal Woman at the Height of Roman Imperial Power
• Greek Sculpture, Roman Sculpture and American Taste: The Mirror of Mount Auburn
• Neon Ilion and Ilium Novum: Kings, Soldiers, Citizens and Tourists at Classical Troy
• Greek and Roman Portraits and Near-Portraits in the Museum of Fine Arts, Boston
• The Heavenly Twins: Castor and Pollux, Marching toward the Middle Ages
• A Portrait of Germanicus Caesar
• Index

See also:
Vol. I
Vol. II
Vol. III